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We have listed some of the top performance schools available. You can also click here and submit to all of your local schools for more information about them.

If you own a performance school, click here to list your business with us.

Georgia Van C Girl from Down Under Georgia Van C Girl from Down Under (323) 244-0720

A KIDS ACTING COACH LIKE NON OTHER
Queen of the kids, TV host, actress, comedian and writer. Georgia helps her kids to row as little people as well as little actors and comedians. As a regular on the Disney and Nickelodeon sets she knows the kids TV world inside out. Her lessons are about smiling, laughter, real understanding and real listening. She teaches her kids to succeed beyond just the next audition.

Michael Savage The Total Workshop for Acting (818) 762-5769
Michael has designed a Workshop that makes films with his actors and enters them in Film Festivals around the world. Mr. Savage custom writes material for all of his students as well as empowering them with the proper tools to bring the best out in their work. He also produces custom demos and original films.
Hey, I Saw Your Commercial! website
Hey, I Saw Your Commercial! is the only “full service” commercial acting training institute of it’s kind. We offer a 4 week Fundamentals Commercial Acting course, an Advanced Commercial Acting course, Commercial Improv Mastery course, Commercial Agent Showcases, and many more.
Sandra Merrill Commercial Classes website
My classes are a rigorous on-camera approach to acting for commercials, in which I work with each actor to develop the skills necessary to succeed at each step of the casting process. Special emphasis will be placed on developing improvisational skills, the cornerstone of most commercial bookings.
The Jack Stehlin Studio website
Jack Stehlin teaches this ongoing scene study workshop that focuses on the preparation and presentation of two-character scenes from classic and modern plays. The actor learns how to explore the text, rehearse, and finally present the character while fulfilling the values and needs of the play.

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